</titleStmt> <pubStmt> <respStmt> <resp>Publisher</resp> <corpName role=""> <abbr/> <expan/> <address> <addrLine/> <addrLine> <ptr/> </addrLine> </address> </corpName> <persName role="editor">Wolfgang Esser-Skala</persName> </respStmt> <date/> <availability> <useRestrict>CC BY-SA 4.0</useRestrict> </availability> </pubStmt> <seriesStmt> <title>František Ignác Antonín Tůma: A thematic catalogue of his works

ark:68748/ft1c51 </titleStmt> <pubStmt> <respStmt> <resp>Publisher</resp> <corpName role=""> <abbr/> <expan/> <address> <addrLine/> <addrLine> <ptr/> </addrLine> </address> </corpName> <persName role="editor">Wolfgang Esser-Skala</persName> </respStmt> <date/> <availability> <useRestrict>CC BY-SA 4.0</useRestrict> </availability> </pubStmt> <seriesStmt> <title>František Ignác Antonín Tůma: A thematic catalogue of his works TumW MerMEId C.5.1 B.XI.12.I Responsories 1 A.VI.1a In monte oliveti František Ignác Antonín Tůma 1759 Vienna (?)

(a) TumW C.5.1 to TumW C.5.27, TumW D.3.2, and TumW D.2.1 are transmitted in a single collection in A-Wgm. In addition, TumW C.5.1 to TumW C.5.15 are also collected in a later copy in D-Dl. Thus, these two sources are only fully described in the metadata for TumW C.5.1.

(b) Most of the responsories TumW C.5.1 to 27 follow the classical ternary structure, i.e., chorus (consisting of two parts)–solo verse–repetendum (the second part of the respond repeated), or ABCB. Some responsories have an extended structure ABCBAB. In the description of the music, the total number of bars always refers to the sum of bars in ABC.

responsorium <incip> <graphic target="main_1" targettype="lowres"/> </incip> <creation> <date/> <geogName role=""/> </creation> <history/> <perfMedium xmlns:xl="http://www.w3.org/1999/xlink" xmlns:xs="http://www.w3.org/2001/XMLSchema"> <perfResList> <perfResList auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="cmi" label="coro"> <head xml:lang="en">coro</head> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vso" xml:lang="en">S</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="val" xml:lang="en">A</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vte" xml:lang="en">T</perfRes> <perfRes auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/" codedval="vbs" xml:lang="en">B</perfRes> </perfResList> <perfRes codedval="sve" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">vlne</perfRes> <perfRes codedval="kor" count="1" solo="false" auth="UNIMARC" auth.uri="http://iflastandards.info/ns/unimarc/terms/mop/">org</perfRes> </perfResList> </perfMedium> <classification> <termList> <term/> </termList> </classification> <componentList> <expression n="1"> <title xml:lang="la">In monte oliveti

Allegretto coro S A T B vlne org 50 bars In monte oliveti

Allegretto coro S A T B vlne org 20 bars Spiritus quidem promptus

Allegretto coro S A T B vlne org 16 bars Vigilate et orate Vers solo

Andante coro S A T vlne org 14 bars

followed by a da capo of Spiritus quidem promptus

Manuscript copy 1759 Notated music Manuscript Copy Score Fair copy Complete 70 fol.

R.1.

22 (height in cm) 31 (height in cm) lines unidentified

Source consists of a full score bound in brown marbled cardboard and comprises 70 leaves. Each recto page is numbered in the upper right corner. Contents: p. 1: title; p. 2: empty; p. 3–36: music (TumW C.5.1 to TumW C.5.9; caption title on p. 3: “Responsoria pro Hebdomada Sancta in Coena Domini.”; hand-ruled paper, 12 staves (7 mm) in light brown ink and music in same ink); p. 37–38: empty; p. 39–79: music (TumW C.5.10 to TumW C.5.18; caption title on p. 39: “In Parasceve.”); p. 80: empty; p. 81–113: music (TumW C.5.19 to TumW C.5.29; caption title on p. 81: “Pro Sabbatho Sancto.”); p. 114: empty; p. 115–129: music (TumW D.3.1; caption title on p. 115: “Miserere.”); p. 130: empty; p. 131–137: music (TumW D.2.1; no title); p. 138: empty; and p. 139–140: composer's note.

The composer's note is: [fol. 70r = p. 139] Notanda Compositoris. | In primis omnis versus hoc signo notatus V. a vocibus Solis et non reduplica- | tis cantari debet, et in mensura temporis tardiori, reliqua vero cantantur | in pleno, et sub mensura velociori. Requiruntur autem tres ad minimum Te- | noristæ et Baſsistæ ad productionem huius operis, ut bonum sortiatur effec- | tum. Deinde Cantaros et præcipue pueri per laborem indefeſsum debent | instrui ut rem cum summa facilitate sciant decantare, et ideo frequen- | tes probæ instituendæ, et labori tamdiu insistendum, donec res ad votum | succedat: alias enim compositio audientibus fieret insipida, et labor | meus irritus. In locis ubi signatum est Adagio et piano debet vox in | tractu suo jam augeri jam diminui, sed tamen cum comuni omnium | Cantorum annutu, et intelligentia, et eodem momento ab omnibus | exequatur. Hoc præcipue potest effici in notis longioris valoris, [fol. 70v = p. 140] quia sunt majoris durationis, et extensionis. Unô verbô | ejusmodi compositiones sunt difficillimæ productionis, et | ideo maximam exercitationem requirunt.

A-Wgm I 1693 (Q 476):1

The present responsorium is written on p. 3–5.

Manuscript copy 1890–1900 Notated music Manuscript Copy Score Fair copy Complete 1001304114 40 fol.

Haec | Responsoria cum Psalmis Miserere et Benedictus | pro Matutinis Hebdomadae Sacrae: Coenae Domini, Parasceves | et Sabbati Sancti â Praenobili Domini Francisco Tuma, | Augustissimae Imperatricis Elisabethae Chori Musici | Praefecto in Contrapunctis cum Clavi-Cymbalo composita | prima vice producta sunt in Sacra Hebdomada | MDCCLIX. | Notanda Compositoris. | [followed by a transcription of the composer's note in the A-Wgm source]

N|o 1.

35.5 (height in cm) 27 (width in cm) lines unidentified Otto Schmid

Source consists of a full score bound in brown cardboard and comprises 40 leaves. Each page is numbered in the upper outer corner. Contents: p. 1: title and composer's note; p. 2–48: music (TumW C.5.1 to TumW C.5.9; caption title on p. 2: “In Caena Domini.”; printed staff paper (“C. A. KLEMM. | A. N° 4.”), 16 staves (8 mm) with music in black ink); and p. 49–80: music (TumW C.5.10 to TumW C.5.15; caption title on p. 49: “In Parasceve.”).

Since the source does not contain all the responsories published in @Schmid1901, it may not be complete and one or more fascicles may be missing (the binding is of more recent origin).

D-Dl Mus.2968-D-513:1

The present responsorium is written on p. 2–6.